American Mosque

Architectural Review - Typology: Multifaith by Studio MIIM

MIT Chapel MIIM Designs

In the most recent Architectural Review magazine, Tom Wilkinson is History Editor of The Architectural Review and the author of “Bricks and Mortals: Ten Great Buildings and the People They Made”, investigates some of the questions that we have been researching at MIIM Designs:

 

‘What defines a place of worship?

Does it have to be sacrosanct?

Must it display certain signs?

Or is it enough that it feels ‘spiritual’?’

 

In AD631 (or AH 10) a delegation of Christians from Najran, in present-day Yemen, arrived in Medina to negotiate a treaty with Muhammad. He received the Najrans in the mosque and, although they were unable to agree on certain doctrinal matters, invited them to pray there nonetheless, which they did – facing east.

This episode demonstrates some of the possibilities – and the problems – inherent in the idea of adherents of different faiths sharing spaces of worship. First, there is often no intrinsic impediment to taking the occasional dip. Muslims can pray anywhere, as can Christians, although Mass should only be celebrated on consecrated ground (according to Canon 933, churches of other denominations may only be used in extraordinary circumstances). Catholics aside, Christian worship is now more likely to take place in a light industrial unit or megachurch than in a cruciform building, basilica, rotunda, or any of the other forms that have been developed and disputed across the centuries. As for architectural objections to shacking up on a more permanent basis, despite there being great regional traditions in mosque design, there is no essential mosque-form. As the above list demonstrates, the same can be said for Christian churches.

Read More HERE

METROPOLIS: Pritzker Laureates: We Must Rescue the Role of the Architect by Studio MIIM

Pritzker Architecture MIIM Designs Architecture

On Tuesday night, seven Pritzker Prize laureates—Richard Rogers, Glenn Murcutt, Christian de Portzamparc, Wang Shu, Renzo Piano, Jean Nouvel, and the newest among the group, Alejandro Aravena—gathered at the United Nations headquarters in New York to discuss what they thought to be the greatest challenge facing the built environment.

 

Australian architect and 2002 laureate Glenn Murcutt chose not to discuss sustainability, which he has spent his career championing, and instead delivered a rousing, emotional speech about a project that has occupied his mind for the better part of a decade: the Newport Mosque. The mosque has been the source of much controversy in Victoria, Australia, where it will be built. "The real issue," said Murcutt about the public discontent surrounding the project, "is fear"—fear of the unfamiliar that underpins social and religious prejudice around the world. 

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Maryam Eskandari will be the Keynote Speaker at MPA-Houston by Studio MIIM

ith more than 6 million Muslims residing in the United States there is an ever-present demand for construction of mosques in U.S. cities. The evening will provide a reflection of American history with a focus on the integration of the Muslim community. Maryam Eskandari will present case studies of mosques in the United States to investigate the architectural design and socially negotiated places of the Muslim community.

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6:00 PM . . . Registration & Networking
6:35 PM . . . Community Spotlight
6:40 PM . . . MPA Updates
6:45 PM . . . Keynote Speech
7:10 PM . . . Q&A
7:30 PM . . . Call to Action / Close
7:35 PM . . . Dinner

Embassy Suites:
11730 Katy Freeway Houston, TX 77079 | View Map

Register Here

MIIM Designs "Sacred Space" Exhibition Opens in San Francisco Gallery by Studio MIIM

Feb. 14, 2012 - May. 31, 2012

9 a.m. – 5 p.m. Mon.-Fri.

At the offices of the Foundation, 5 Hamilton Landing, Suite 200, Novato

RECEPTION: Thursday March 22, 2012 4:30-6:30 pm

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"Muslim Eyes" is an exhibit that sprang from the mission of the Marin Community Foundation. When a community—supported by religious, faith-based, and nonprofit organizations as well as concerned and engaged individuals—engages in activities to promote social justice and interfaith understanding, sustainable change can occur. To this end, MCF supports efforts that increase awareness, mobilize communities, and catalyze social change to address social inequities in Marin County and around the country. MCF strives to support the powerful link between interfaith dialogue and understanding and creating positive social change.

American Mosques & Muslim Identity: Debating Gender, Form, and Architecture by Studio MIIM

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Lecture & conversation with architect Maryam Eskandari, co-founder of MIIM Designs LLC and a graduate of the Aga Khan Program in Islamic Architecture at Harvard and Massachusetts Institute of Technology with a focus on modern and contemporary “Islamic” Architecture in the West.

event information

A Decade of Designing a Muslim-American Identity by Studio MIIM

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September 10, 2011 | Maryam Eskandari

featured in NYC Elan magazine

This weekend, the world marks the tenth anniversary of the horrific events of September 11th. This tragedy pushed the Muslim American community to the forefront, forcing us to discover who we are, as a collective. This grueling process of defining identity can be traced through architectural designs where various attributes have been explored. From the relatively unknown Islamic inspired architecture of the World Trade Center, to the Islamic Center in Manhattan, we start to see not only a pattern of expression, but also a community coming into our own.

The World Trade Center in New York, an iconic masterpiece stood majestically around 1300 feet high. Designed by Minoru Yamasaki, an architect praised for merging modernism with Islamic architecture, recreated Mecca’s courtyard within the busy Financial District claiming the World Trade Center’s plaza was, “a Mecca, a great relief from the narrow streets and sidewalks of the surrounding Wall Street area.” Three decades ago, Yamasaki, the desired designer of the 1970’s, was commissioned for his ability to merge Islamic and postmodern design, an amalgamation of defining a renowned form of architecture. He was applauded for his innovation.

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48th Annual ISNA Convention: Loving God, Loving Neighbor, Living in Harmony by Studio MIIM

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Friday July 01, 2011

Islam, Pluralism and Social Harmony

Description: America finds itself at a crossroads with a financial crisis at home and war abroad. At every critical juncture in history, social movements—from civil rights to anti-war—have brought people of all races and creeds together around common values and aspirations. This session will offer reflections on the collective movement that is needed for our times, and the sacred place of love and non-violence in realizing the call for social harmony in a pluralistic society. 

Speakers: Imam Feisal Abdul Rauf
Ingrid Mattson
John Esposito
Zaid Shakir


Saturday July 02, 2011
Role of Islamic Tradition in Addressing Contemporary Challenges-Conversation Between Tariq Ramadan and John Esposito 

Speakers: Tariq Ramadan 
John Esposito

SUNDAY JULY 03, 2011


Inclusive Mosques in the 21st Century

Description: When we create sacred spaces that affirm human dignity, we acknowledge the spiritual potential of all who enter. The inclusive mosque synthesizes our architectural legacy, recognizes the contributions of women and welcomes those seeking answers. This session presents steps to ensure mosques are places that give life to strong, loving communities that stand against injustice.

Speakers: Akel Kahera
Maryam Eskandari

Aisha Al-Adawiya

Gender, Sexuality and Urban Spaces by Studio MIIM

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This was a great, if in cohesive group of panelists. They’ve each done really interesting research on different architectural expressions of ‘women’s spaces’ in three different US institutions: contemporary Mosques, Gymnasiums at the turn of the century, and Settlement Houses in the early 1900′s.

Maryam Eskandari gave a very compelling presentation on the need to re-examine mosque typology and explore the gender hierarchy assumptions embedded in that typology. Essentially, her work has determined that mosques prioritize men’s space, making the front of the mosque inaccessible to women, and allocating the separate women’s prayer space as ½ to 1/5 the amount of space allocated to the men. She talked about radical activists in the US staging Rosa Parks-style interventions in this model. And, she advocated for the role of architects in changing the typology, making contemporary mosque design reflect the changing politics of the practice of Islam in the US where communities are more open to mixed gender prayer spaces.

read more @ Plural Titanium