2011: A Year of Change by Studio MIIM

December 31, 2011 | Maryam Eskandari

featured in NYC Elan Magazine

2011 was an unforgettable year with the rise of the Arab Spring, the Occupy Movements challenging the corporate world and a general overall social consciousness.  Architects, too, learned that it is our responsibility to design in such a way to enhance and impact some of the world’s urgent concerns: poverty, climate change, unemployment, energy crises and education. With community’s no longer willing to accept the status quo, as we’ve seen in many parts of the world with successful protests, education is a key component for the mass majority. Education has always been a right and architecture has played a vital role in creating school buildings, which have become a teaching tool for urban sprawl in a poverty setting, have responded to climate change, sustainability, energy crises and preservation of culture and heritage. For example, the Children Academy in Haiti, the Boarding School for Girls in India, the Bamboo School in Liberia and The United Nations Relief and Works Agency Zero Carbon Gas Schools in Gaza Palestine, are all exemplary projects that can be set a new standard for architectural education.

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“Haiti Partner’s Children Academy”, by San Francisco based BAR Architects in association with Haiti Partners developed an innovative self-sustaining community school in the post- earthquake devastated Port-au-Prince, Haiti. The 38,000 square foot complex is perched high within the Mariaman Hills, approximately 2,500 feet above sea level overlooking the rugged steep terrain towards the heart of the urban city center. The learning facility will accommodate 450 students of all class range: from kindergarten through 12th, in its self sustaining building. The building is to be constructed with local materials: limestone and reinforced cinder block. An outdoor amphitheater will be carved into the natural bowl shaped hillside and a vegetable garden is to be tended and managed by the students. The distance from the urban city sprawl to the school is greatly numbered; hence the power grid requires the series of structures to collect its own solar energy, and supply the power to the school. Other sustainable features include rainwater harvesting for irrigation, a local well for potable water and the use of composting toilets. Ground breaking began in the fall and the project is set to be complete in 2014.

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In the northern region of India, Rajasthan, known as the “land of kings and colors”, is the new Boarding School for Girls, designs by STL Architects in collaboration with Celestial Partnership.  The 103 acres of land is divided into three parts: Learn, Live and Play and drawing inspiration from the stark geometry of the 6thcentury palaces of Meenas, Rajputs, Yadavs, Jats, Bhils, Gurjars and Bishnois, through the exuberant lattices of intricate patterns and evoking landscapes. Using these palaces as precedents, the design of the 39 acres Boarding School for Girls draws inspiration from the collection of small kingdoms connects the ancient past with modern society, creating a distinct traditional, yet modern architecture that negates the changes of the architectural vocabulary during the age of Enlightenment and the Industrial Revolution. The design of the school emulates the monumental circulation paths of the palaces; illuminating hierarchical arches that are proportioned exuberantly into a peaceful geometric garden which creates a serene environment for students, faculty and visitors.

For fourteen years, from 1989 to 2003 the country of Liberia has been ripped into two civil wars, killing over 300,000 civilians. Currently the country is the 162nd constitution of the Human Development Index and is still recovering from the devastations of these wars. However, Brazilian architect, André Dal’Bó da Costa, has been determined to develop the most important social and architectural programmatically educational building: The Bamboo School Project. The Bamboo School Project is to rebuild the foundations of a proper school and provide and environment where education is accessible. The building is to be a prefabricated building designed offsite, and assembled in Liberia using local materials, mainly bamboo and enclosed using adobe masonry, a Liberian technique. The adobe allows for a porous surface on the exterior that will protect the interior from rain, yet allow for natural lighting to penetrate through.  The tin-roof construction allows for other fundamental amenities such as water, light and sanitation; and currently to house 160 students from the ages of 3 to 15. The students learn English, Reading, Writing, Science and Mathematics. The future goal is to expand the size of each school to accommodate up to 300 students.

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Lastly, the United Nations Relief and Works Agency, along with Mario Cucinella Architects with the financial support of Kuwait Fund for Arab Economic Development through the Islamic Development Bank are in the process of building a standalone school building in the Gaza strip. This Zero Carbon Gas Schools in Gaza Palestine relies only on renewable, free and local available resources such as rainwater harvesting, zero CO2 emissions solar and ground energy. The design of the school is to promote the use of affordable and locally available materials as well as expanding on the development of simple construction systems, mitigating the use of advanced and expensive technologies. The construction of the schools is to be composed of three distinctive elements: a concrete slab foundation, pre-fabricated concrete pillars, and an overhanging roof. The concrete slab foundation would include rainwater tanks as heat/cold storage for the heating/cooling of interiors. The tanks are sized in order to fulfill the overall water demands of the building all year long. The Pre-fabricated concrete pillars are to be filled with the excavated ground. This allows for huge thermal mass in order to minimize temperature swings. The overhanging roofs act as a second bio-climate, regulating the daylight and solar gain provided into the classrooms. The roof area is sized according to the average rainfall in order to match water demands, and integrated on the roof are the solar thermal and photovoltaic cells that meet the electricity demands of appliances and provide hot water. Originally the school(s) was to be a pilot project has now expanded towards a sustainable, carbon-free Gaza and the rest of the occupied Palestinian territory and 20 more schools are to be built. Through the educational and instillation of water resource management, efficient renewable energy through solar and wind technology, the demand for fossil fuel in occupied Palestinian territory as well as Lebanon, Jordan and Syria will be alleviated.

As we saw in 2011, the world faces various problems, all of which are weaved by a unified ribbon. Some countries choose to continue to dominate in the greed of the natural environment and only expand their own wealth through building mile high skyscrapers and Platinum LEED University campuses, while others see their wealth in educating the next generation in the natural local materials through generating sustainable architecture. It is critical that different architects pursue their own passion, some give into the demands of the client and are swept away by the financial means ofcreating a grown-up playground in one of the most highly cultural and religious holy lands, while other architects recognize their practice as an activism in educating the public of the historical attributes that lies beneath our feet and pushing for a comprehensive solution. As architects play a critical role in 2012, we need remember that architecture should embrace the environment, social, mental and political problems and most importantly, through the patronage of architecture, the values of humanity are hoped to be instilled in our next generations.

American Mosques & Muslim Identity: Debating Gender, Form, and Architecture by Studio MIIM

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Lecture & conversation with architect Maryam Eskandari, co-founder of MIIM Designs LLC and a graduate of the Aga Khan Program in Islamic Architecture at Harvard and Massachusetts Institute of Technology with a focus on modern and contemporary “Islamic” Architecture in the West.

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A Decade of Designing a Muslim-American Identity by Studio MIIM

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September 10, 2011 | Maryam Eskandari

featured in NYC Elan magazine

This weekend, the world marks the tenth anniversary of the horrific events of September 11th. This tragedy pushed the Muslim American community to the forefront, forcing us to discover who we are, as a collective. This grueling process of defining identity can be traced through architectural designs where various attributes have been explored. From the relatively unknown Islamic inspired architecture of the World Trade Center, to the Islamic Center in Manhattan, we start to see not only a pattern of expression, but also a community coming into our own.

The World Trade Center in New York, an iconic masterpiece stood majestically around 1300 feet high. Designed by Minoru Yamasaki, an architect praised for merging modernism with Islamic architecture, recreated Mecca’s courtyard within the busy Financial District claiming the World Trade Center’s plaza was, “a Mecca, a great relief from the narrow streets and sidewalks of the surrounding Wall Street area.” Three decades ago, Yamasaki, the desired designer of the 1970’s, was commissioned for his ability to merge Islamic and postmodern design, an amalgamation of defining a renowned form of architecture. He was applauded for his innovation.

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48th Annual ISNA Convention: Loving God, Loving Neighbor, Living in Harmony by Studio MIIM

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Friday July 01, 2011

Islam, Pluralism and Social Harmony

Description: America finds itself at a crossroads with a financial crisis at home and war abroad. At every critical juncture in history, social movements—from civil rights to anti-war—have brought people of all races and creeds together around common values and aspirations. This session will offer reflections on the collective movement that is needed for our times, and the sacred place of love and non-violence in realizing the call for social harmony in a pluralistic society. 

Speakers: Imam Feisal Abdul Rauf
Ingrid Mattson
John Esposito
Zaid Shakir


Saturday July 02, 2011
Role of Islamic Tradition in Addressing Contemporary Challenges-Conversation Between Tariq Ramadan and John Esposito 

Speakers: Tariq Ramadan 
John Esposito

SUNDAY JULY 03, 2011


Inclusive Mosques in the 21st Century

Description: When we create sacred spaces that affirm human dignity, we acknowledge the spiritual potential of all who enter. The inclusive mosque synthesizes our architectural legacy, recognizes the contributions of women and welcomes those seeking answers. This session presents steps to ensure mosques are places that give life to strong, loving communities that stand against injustice.

Speakers: Akel Kahera
Maryam Eskandari

Aisha Al-Adawiya

Bringing the Pilgrims to Qom by Studio MIIM

March 25, 2011 | Maryam Eskandari

featured in PBS|Frontline - Tehran Bureau 


Islamic Republic of Iran push to develop Shia holy city of Qom as a top Middle Eastern destination.

[ dispatch ] Since the early 16th century, during the Safavid dynasty, the holy city of Qom has been a significant center of Shia theological education and a locus of pilgrimage. Recently, its development has become a top priority for the Islamic Republic of Iran. Over the past eight years, Iran has been expanding Qom, not only as an "Islamic Education Center," in competition with other such cities such as Najaf, Iraq, but with the goal of making it one of the major destinations in the Middle East.

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After the late 1700s, when the city flourished as a center of religious learning under Agha Mohammad Khan Qajar, little attention was paid to its development for more than century. However, in 1915, when invading Russian forces entered the nearby city of Karaj, many residents of Tehran province moved to Qom, spurring its growth into one of the region's major metropolitan areas. Consideration was even given to shifting the Iranian capital from Tehran to Qom. Over the past six years, under President Mahmoud Ahmadinejad, a vast amount of development money has been flowing into the city.

Read more: 

http://www.pbs.org/wgbh/pages/frontline/tehranbureau/2011/03/bringing-the-pilgrims-to-qom.html#ixzz1I11ml48P

Gender, Sexuality and Urban Spaces by Studio MIIM

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This was a great, if in cohesive group of panelists. They’ve each done really interesting research on different architectural expressions of ‘women’s spaces’ in three different US institutions: contemporary Mosques, Gymnasiums at the turn of the century, and Settlement Houses in the early 1900′s.

Maryam Eskandari gave a very compelling presentation on the need to re-examine mosque typology and explore the gender hierarchy assumptions embedded in that typology. Essentially, her work has determined that mosques prioritize men’s space, making the front of the mosque inaccessible to women, and allocating the separate women’s prayer space as ½ to 1/5 the amount of space allocated to the men. She talked about radical activists in the US staging Rosa Parks-style interventions in this model. And, she advocated for the role of architects in changing the typology, making contemporary mosque design reflect the changing politics of the practice of Islam in the US where communities are more open to mixed gender prayer spaces.

read more @ Plural Titanium

Libya’s Architecture on the Brink by Studio MIIM

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featured in NYC Elan magazine

Maryam Eskandari ​| March 3, 2011

In the past couple of years, Libya has been on the forefront on cutting edge architecture. Competing with other middle east countries, such as Kingdom of Saudi Arabia, Kuwait and Qatar, Libya has been able to keep up with the “architecture boom” that has been on the rise in that region. However, several days ago, when the Security Council of the United Nation slapped a 15-0 vote sanctions on Libya in hopes to send a strong message to Libyan leader Moammar Gadhafi;  many of the architectural firms stepped up to support the United Nation decision. The western firms with on-going project have all vowed that they would never work in Libya, under Gaddafi’s regime and have suspended all projects.

The Stirling-prize winning architecture firm, Feilden Clegg Bradley Studios (FCBS), currently has several projects in the country. Of which, two are of the first sustainable design guides for the Libyan government. FCBS’s managing principle Julian Gitsham stated that the firm has stopped all projects even the most highest commissioned one – the current 60 hectars masterplan of the capital, Tripoli and the new eco town in eastern Green Mountain region. “We had stopped work [on the Tripoli masterplan] because we hadn’t been paid – that was a couple of weeks ago,” Gitsham told BD. “We are now not intending to re-start work because of what’s been going on.”

Following FCBS’s lead on is Edward Cullinan Architects, who is working on several sustainable developments. The firm has decided to pull out, stating that they would rather work in other “democratic regimes” despite the fact that the Libyan government was very much in celebration of prominent sustainable architecture and very cautious in regards to the environment.

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Other firms such as Aecom and Foster and Partners have yet to decide what actions they plan on taking to support the United Nations sanctions. On Wednesday Aecom, the word’s largest architecture firm has decided to withdraw all staff and family members and are monitoring the situation that is being on folded in the country, while Foster and Partners are still “monitoring” the events. Foster and Partners was part of the first British trade delegation to arrive in Tripoli days after Tony Blair, the prime minister of England then, ended the two countries diplomatic freeze. 

Keppie, Feilden Clegg Bradley and Capita Symonds are all fleeing the country. Keppie announces that the company enjoyed doing significant work in Libya yet “Until the current conflict is resolved we are not in a position to make a final decision on future work in the country.”  While Capita Symonds staff where all evacuated when it’s Benghazi airport in the east of the country was destroyed by bombing.

The only firm that has been successful in Libya has been RMJM architects, which received the Islamic architecture award for their work in 2009 on the Zilten Campus at Asmariya University for Islamic Sciences. The 1million sq.ft. campus is located 75 miles southeast of Tripoli on a 202-acre site. The core academic functions are organized in four quadrants which allows for facultiy office and academic support. The new campus houses 4,600 students with full amenities of a university: academic and support buildings, conference and student center, administration building, library, recreation center and  residential halls.  

Not all firms have been fortunate as RMJM, but have stated that they will continue to protest  the embattled Gaddafi regime,  particularly in regards to human rights after the current government killed 230 people last week.